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Factory: machine-music (Russian: Завод: музыка машин, Zavod: muzyka mashin), Op. 19, commonly referred to as the Iron Foundry, is the most well-known work by Soviet composer Alexander Mosolov and a prime example of Soviet futurist music. It was composed between 1926 and 1927 as the first movement of the ballet suite Stal ("Steel").
Alexander Mosolov in the 1950s. Alexander Vasilyevich Mosolov [n 1] (Russian: Алекса́ндр Васи́льевич Мосоло́в, romanized: Aleksandr Vasil'evič Mosolov; 11 August [O.S. 29 July] 1900 – 11 July 1973) was a composer of the early Soviet era, known best for his early futurist piano sonatas, orchestral episodes, and vocal music.
This is a selected list of compositions by Alexander Mosolov.It includes all works with an opus number regardless of the date of publication as well as all known works composed before 1936, as it has been noted that it was "impossible to discern the former avant-gardist in the works written from the late thirties onward" (Frolova-Walker 1998, p. 336n8).
List of compositions by Alexander Mosolov; I. Iron Foundry This page was last edited on 18 April 2020, at 02:31 (UTC). Text ...
Alexander Mosolov, whose orchestral composition Iron Foundry (1923) is made up of mechanical and repetitive patterns. George Antheil, whose 1924 Ballet Mecanique is characterized by much use of motoric and repetitive patterns, as well as an instrumentation made up of multiple player pianos and mallet percussion.
The foundry, which has made iron castings at 1855 E. 28th St. for a century, was accused of violating the Clean Air Act after a surprise EPA inspection this spring. The agency claims Smith was ...
Northern Foundry in Hibbing is shutting down and laying off 91 employees at the Iron Range manufacturing plant this spring. Parent company Metal Technologies Inc. (MTI) specifically cited ...
Le pas d'acier was a major success for Prokofiev and Diaghilev in Paris, where it was performed for three consecutive seasons. Diaghilev was a confirmed supporter of Prokofiev's compositions, going so far as to term him "my second son" (Stravinsky being his metaphorical "first"), and Diaghilev's death in 1929 removed Prokofiev's primary source of ballet commissions and practical support in the ...