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A raw audio file is any file containing un-containerized and uncompressed audio. The data is stored as raw pulse-code modulation (PCM) values without any metadata header information (such as sampling rate , bit depth , endian , or number of channels).
The HDRi raw data format is able to store the infrared raw data, which can be used for infrared cleaning, as an additional 16-bit channel. The remainder of the discussion about raw files applies to them as well. Some scanners do not allow the host system access to the raw data at all, as a speed compromise.
The .ra format allows files to be stored in a self-contained fashion on a computer, with all of the audio data contained inside the file itself. .raw: A raw file can contain audio in any format but is usually used with PCM audio data. It is rarely used except for technical tests. .rf64: One successor to the Wav format, overcoming the 4GiB size ...
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
WavPack compression can compress (and losslessly restore) 8, 16, 24, and 32-bit fixed-point, and 32-bit floating-point PCM audio files in the .WAV file format. It can also handle DSD input in DSDIFF or DSF format. [2] It also supports surround sound streams and high sampling rates. Like other lossless compression schemes, the data reduction ...
BDF – Binary Data Format – raw data from recovered blocks of unallocated space on a hard drive; CBP – CD Box Labeler Pro, CentraBuilder, Code::Blocks Project File, Conlab Project; CEX – SolidWorks Enterprise PDM Vault File; COL – Nintendo GameCube proprietary collision file (.col) CREDX – CredX Dat File
A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.