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A raw audio file is any file containing un-containerized and uncompressed audio. The data is stored as raw pulse-code modulation (PCM) values without any metadata header information (such as sampling rate , bit depth , endian , or number of channels).
The .ra format allows files to be stored in a self-contained fashion on a computer, with all of the audio data contained inside the file itself. .raw: A raw file can contain audio in any format but is usually used with PCM audio data. It is rarely used except for technical tests. .rf64: One successor to the Wav format, overcoming the 4GiB size ...
WavPack compression can compress (and losslessly restore) 8, 16, 24, and 32-bit fixed-point, and 32-bit floating-point PCM audio files in the .WAV file format. It can also handle DSD input in DSDIFF or DSF format. [2] It also supports surround sound streams and high sampling rates. Like other lossless compression schemes, the data reduction ...
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary. FFmpeg; Pulse-density modulation ...
A cylinder, head, and sector of a hard drive. The sectors are a recording container format. The digital data on the disks may be both secondary container file formats and raw digital data content formats such as digital audio or ASCII encoded text. A map of Earth showing lines of latitude (horizontally) and longitude (vertically).
For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
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A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.