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An elevenie (German Elfchen – Elf "eleven" and -chen as diminutive suffix to indicate diminutive size and endearment) is a short poem with a given pattern. It contains eleven words which are arranged in a specified order over five rows. Each row has a requirement that can vary.
[10] [11] Rather than relying on end rhymes, rap rhyme schemes can have rhymes placed anywhere in the bars of music to create a structure. [12] There can also be numerous rhythmic elements which all work together in the same scheme [ 13 ] – this is called internal rhyme in traditional poetry, [ 14 ] though rap rhymes schemes can be anywhere ...
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Bards learnt in special bardic schools, where the main emphasis was put on mastering rules referring to strict metres. The reason for that is that the poetry written with the use of strict metres was perceived as “the major glory of Welsh literature”. [1] A trained aspirant could become one of the 3 types of bards: prydydd (poet)
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
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For an example of a poem in English using cynghanedd, see the poem by Katherine Bryant at the end of this page. Note, however, that the poem suffers from the usual awkwardness resulting from the attempt to force English into the Welsh patterns. The cynghanedd here is also either incomplete or faulty in lines 1,2,3,7,8,11,12,14.