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The genesis of modern understanding of Greek mythology is regarded by some scholars as a double reaction at the end of the 18th century against "the traditional attitude of Christian animosity mixed with disdain, which had prevailed for centuries", in which the Christian reinterpretation of myth as a "lie" or fable had been retained. [1]
Rationalizing methods of interpretation that treat some myths as traditional accounts based upon historical events are a continuous feature of some modern readings of mythology. The twentieth century poet and mythographer Robert Graves offered many such "euhemerist" interpretations in his telling of The White Goddess (1948) and The Greek Myths ...
The resulting mythological "history of the world" may be divided into three or four broader periods: The myths of origin or age of gods (Theogonies, "births of gods"): myths about the origins of the world, the gods, and the human race. The age when gods and mortals mingled freely: stories of the early interactions between gods, demigods, and ...
A coin featuring the profile of Hera on one face and Zeus on the other, c. 210 AC. Roman conquerors of the Hellenic East allowed the incorporation of existing Greek mythological figures such as Zeus into their coinage in places like Phrygia, in order to "augment the fame" of the locality, while "creating a stronger civil identity" without "advertising" the imposition of Roman culture.
Tarnas argues that the movement from the Greek and Christian world views, through modernity and to postmodernism can be seen as a natural and dialectical unfolding of a collective mind or psyche. [1] Tarnas outlines the intellectual-cultural development of the modern world view from its origins in Greek and Judaeo-Christian mythologies.
In more recent literature of myth, such as in Bulfinch's Mythology, euhemerism is called the "historical interpretation" of mythology. [14] Euhemerism is defined in modern academic literature as the theory that myths are distorted accounts of real historical events. [15]
Jean-Pierre Vernant was a historian and anthropologist specialized on ancient Greece.He was approached by the editor Maurice Olender of Éditions du Seuil, which had published two scholarly works by Vernant in its series La librairie du XXe siècle; the series was celebrating its tenth anniversary, and Olender asked Vernant to write his retellings of Greek myths and turn them into a book for ...
The Greek Myths presents the myths as stories from the ritual of all three stages, and often as historical records of the otherwise unattested struggles between Greek kings and the Moon-priestesses. In some cases Graves conjectures a process of "iconotropy", or image-turning, by which a hypothetical cult image of the matriarchal or matrilineal ...