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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
The Jacksonians favored expansion across the continent, known as manifest destiny, dispossessing American Indians of lands to be occupied by farmers, planters, and slaveholders. Thanks to the annexation of Texas , the defeat of Mexico in war, and a compromise with Britain, the western third of the nation rounded out the continental United ...
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
Territorial expansion in the 21st century is absurd, constrained by international law, prohibitive costs and a lack of political will. ... Manifest Destiny was driven by ideological, economic and ...
The cultural endeavor and pursuit of manifest destiny provided a strong impetus for westward expansion in the 19th century. The United States began expanding beyond North America in 1856 with the passage of the Guano Islands Act , causing many small and uninhabited, but economically important, islands in the Caribbean Sea and the Pacific Ocean ...
"Go West, young man" is a phrase, the origin of which is often credited to the American author and newspaper editor Horace Greeley, concerning America's expansion westward as related to the concept of Manifest destiny. No one has yet proven who first used this phrase in print. Washington [D.C.] is not a place to live in.
The mural was painted by Emanuel Gottlieb Leutze in 1861 and symbolizes Manifest Destiny, the belief that the United States was destined for Western exploration and expansion originating from the initial colonies along the Atlantic seaboard to the Pacific Ocean.
Westward movement may describe: The ideology of manifest destiny in American history; United States territorial acquisitions involving historical expansion of the United States territory westward; The mural "Westward Movement: Justice of the Plains and Law Versus Mob Rule" by American artist John Steuart Curry