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Irezumi (入れ墨, lit. ' inserting ink ') (also spelled 入墨 or sometimes 刺青) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom.
Horiyoshi III (Japanese: 三代目彫よし, Hepburn: Sandaime Horiyoshi, born 1946 as Yoshihito Nakano (中野 義仁)) is a horishi (tattoo artist), specializing in Japanese traditional full-body tattoos, or "suits," called Irezumi or Horimono.
Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usually used to describe full-body tattoos done in the traditional style. [2]
A body suit or full body suit is an extensive tattoo, usually of a similar pattern, style or theme that covers the entire torso or the entire body. [1] They are associated with traditional Japanese tattooing as well as with some freak show and circus performers. [2]
This is an irezumi (literally:insert ink) tattoo of a member in the Japanese criminal organiztion known as the Yakuza. Irezumi are often used to symbolize a personal trait that the wearer has or wishes to achieve, such as wealth or bravery. (more from someone else please) Articles this image appears in Yakusa, Irezumi Creator Sean Wilson
Tattooed Life (刺青一代, Irezumi ichidai) is a 1965 yakuza action movie directed by Seijun Suzuki. [1] The film stars Hideki Takahashi as "Silver Fox" Tetsu. [ 2 ] [ 3 ] [ 4 ]
Japonisme [a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858.
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" . They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of wabi-sabi.