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We Are Young" topped the Hot 100 Airplay chart with 120 million impressions in seven weeks, becoming the first group since Destiny's Child's Survivor (2001). [32] The song was the first song in 2012 to be certified by the RIAA 3 times platinum with sales of 3 million, [ 32 ] and was later certified 5 times platinum on June 21, 2012.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
We Are Young may also refer to: We Are Young, a 1967 Canadian multi-screen documentary short film; We Are Young, a 2020 Chinese reality competition show "Kick Ass (We Are Young)", a 2010 song by Mika and RedOne "Young" (Tulisa song), originally "We Are Young", a 2012 song by Tulisa; We Are Young, a 2015 album, or the 2012 title song, by Vassy
Antonoff, 40, shared how Fun.’s “We Are Young” nearly ended up on Watch The Throne, the 2011 collaborative album from West and Jay-Z, while speaking with Nardwuar in an interview published ...
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A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
All of the pieces were performed solo on piano by Mehldau. [8] No piece exceeds four minutes in length, in contrast with many of his previous more improvisation-based performances. [8] In the final piece, "Look for the Silver Lining", "Mehldau intentionally ends on the V chord, leaving the sound – and the situation – in an unresolved state ...