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The word bansuri originates in the bans (बाँस) [bamboo] + sur (सुर) [melody]. [citation needed] A phonetically similar name for the same instrument, in early medieval texts, is the Sanskrit word vaṃśi which is derived from root vaṃśa (Sanskrit: वंश [12]) meaning bamboo. [11]
Murali is also known as bansuri, and Murli is known as Pungi. The bansuri is the Indian flute made of bamboo. The pungi is the instrument that was once used by snake charmers, but still used by musicians today. It is made out of bamboo with a gourd at its top. [15] [16] [17]
On a bansuri the top three finger holes are closed to achieve this note. The way the notes are played is also slightly different. Carnatic music emphasizes the "gayaki style" or "the style of imitating the human voice". Hence the usage of gamakas and andolans require a nimble hold and a way to bend the notes smoothly on a Venu.
After the 16th century, the singing styles diversified into different gharanas patronized in different princely courts. Around 1900, Vishnu Narayan Bhatkhande consolidated the musical structures of Hindustani classical music, called ragas, into a few thaats based on their notes. This is a very flawed system but is somewhat useful as a heuristic.
• Chikara • Dhantara • Dilruba • Ektara violin • Esraj • Kamaicha • Kingri (string instrument) • Mayuri Vina or Taus • Onavillu • Behala (violin type) • Pena (musical instrument) • Pinaka vina • Pulluvan Veena - one stringed violin • Ravanahatha • Sarangi • Classical Sarangi • Sarinda • Tar Shehnai • Taus • Villu Paatu - arched bow instrument
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Bansuri: wind instrument with an ancient history; Been - two bamboo pipes fixed in a gourd, associated with snake charmers; Iktara - a stringed instrument with one string, made from a piece of bamboo with a gourd at one end. Associated with the Jogis. The iktara's two-stringed relative is the dotara.
Characteristics of this style of music include a high vocal range, free rhythm cadenzas using a bamboo flute , rhythmical cycles [13] in six (dādra and khemtā) or eight (kaherva), and instrumentation of dholak and tabla (instead of drums in pop music [14]) as the pulse or core of the song. [11]