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E minor–G major 1837–38 Piano, original 156/10 A 40b/3 (Allegro pastorale) pf G major 1837–38 Piano, original 1st version of S.160/3 156/11 A 40b/4 (Andante con sentimento– Allegretto) pf G major 1837–38 Piano, original 156/12 A 40b/5 (Andante molto espressivo) pf G minor 1837–38 Piano, original 156/13 A 40b/6 (Allegro moderato) pf ...
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
List of music students by teacher: A to B; List of music students by teacher: C to F; List of music students by teacher: G to J; List of music students by teacher: K to M
G minor * B. 117 An arrangement for piano alone of the piano part of the song Wiosna; * 5 MS exist whose dates range from April 1838 to 1 September 1848 Barcarolle: F‑sharp major 1846 1846 Op. 60 B. 158 Berceuse: D-flat major 1844 1845 Op. 57 B. 154 Bolero: C major-A minor 1833 1834 Op. 19 B. 81 Two Bourrées G major, A major 1846 1968 B ...
The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded:
Romance S.169, the theme of which is based on the song "O pourquoi donc" ("Why, oh Why"), is a piece of music written in 1848 by the Hungarian composer Franz Liszt during a visit to Moscow. It bears some resemblance to Chopin's Nocturne in E minor, [1] as both pieces commence with broken E-minor chords.
The first of the Consolations is in E major and initially marked Andante con moto. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the Album-Leaf (Première Consolation), S. 171b. [23] Consolation No. 2 is also in E major and is initially marked Un poco più mosso. It is often ...