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The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
God the Father with Two Saints; The Guilt of Gold Teeth; M. The Martyrdom of Saint Peter Martyr (Palma Vecchio) Mural Paintings from the Herrera Chapel; S.
Saint John of God Carrying a Sick Man (1672) by Bartolomé Esteban Murillo. Saint John of God Carrying a Sick Man is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1672. It depicts Saint John of God, with a sick man and an angel. It is held in the Church of San Jorge in Seville. [1]
Christ Healing the Paralytic at the Pool of Bethesda (1667-1670) by Bartolomé Esteban Murillo. Christ Healing the Paralytic at the Pool of Bethesda is a 1667-1670 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery, London, [1] to which it was presented by the Art Fund, which had bought it for £8,000 the body had been given by Graham Robertson's executors.
As people are also made in God's images, people are also considered to be living icons, and are therefore "censed" along with painted icons during Orthodox prayer services. According to John of Damascus, anyone who tries to destroy icons "is the enemy of Christ, the Holy Mother of God and the saints, and is the defender of the Devil and his ...
The whole image is a symbol of charity, forgiveness and love of God, referred to as the "Fountain of Mercy". According to Kowalska's diary, the image is based on her 1931 vision of Jesus. [1] Kowalska directed the painting of the first image in Vilnius by the artist Eugeniusz Kazimirowski.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The painting shows God the Father supporting his son, Jesus, with the Holy Spirit above them, represented by a dove; the Trinity is joined by the weeping figures of the Virgin Mary and St. John. [1] The inclusion of God supporting his crucified son within the picture was popular during the late fourteenth and early fifteenth centuries, but is ...