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Byzantine music (Greek: Βυζαντινή μουσική, romanized: Vyzantiné mousiké) originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy.
A kontakion (Greek κοντάκιον, kondákion, plural κοντάκια, kondákia) is a form of hymn in the Byzantine liturgical tradition.. The kontakion form originated in the Byzantine Empire around the 6th century and is closely associated with Saint Romanos the Melodist (d. 556).
The names ascribed to the eight tones differ in translations into Church Slavonic.The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites [2] (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorists.
A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes , based on the Biblical canticles . Most of these are found in the Old Testament , but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament .
Oktōēchos (here transcribed "Octoechos"; Greek: ὁ Ὀκτώηχος Ancient Greek pronunciation: [okˈtóixos]; [1] from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, Osmoglasie from о́смь "eight" and гласъ "voice, sound") is the name of the eight mode system used for the composition of religious chant in Byzantine, Syriac, Armenian ...
Orthodox priest and deacons praying the Cherubic Hymn at the beginning of the Great Entrance. The Cherubikon (Greek: χερουβικόν) is the usual Cherubic Hymn (Greek: χερουβικὸς ὕμνος, Church Slavonic Херуви́мская песнь) sung at the Great Entrance of the Byzantine liturgy.
Students of Orthodox chant today often study the history of Byzantine chant in three periods, identified by the names John of Damascus (675/676-749) as the "beginning", John Koukouzeles (c. 1280–1360) as the "flower" (Papadic Octoechos), and Chrysanthos of Madytos (c. 1770-c. 1840) as the master of the living tradition today (Neobyzantine Octoechos).
The last Greek Catholic congregation of any size, the Arabic-speaking Melkite Greek Catholic Church (approx. 1.5 million), predominantly resident in Syria and with a large diaspora, is descended from a split within the far more numerous Eastern Orthodox Patriarchate of Antioch (approx. 4.3 million), when in 1729 a claimant to the Antiochene See ...