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The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31] JerryC's version, titled "Canon Rock", was one of the earliest viral videos on YouTube when it was covered by Funtwo. [32] "Sunday Morning" on Procol Harum's 2017 album Novum is based on just the chords of the canon. [33]
The song is partly orchestrated, featuring a string arrangement based on Pachelbel's Canon in D and a vocal appearance from the NYC All-City Chorus. One version of the song contains student interviews from the Class of 2000 of Lyndhurst High School in New Jersey. Following its release in March 2000, "Graduation" charted in several countries.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
"Christmas Canon" is a Christmas song by the Trans-Siberian Orchestra (TSO) from their 1998 album The Christmas Attic. The song is set to the tune of Johann Pachelbel 's Canon in D Major with new lyrics added.
Lyrically, the song pays homage to the memories of a loved one who has since passed. The song divided critics, with many panning its production but others calling it "sweet". It was listed as one of the worst songs of 2019 by Spin magazine. The song contains a sample of "Canon in D Major" by German composer Johann Pachelbel.
St. Sebaldus Church, Nuremberg, which played an important role in Pachelbel's life. Johann Pachelbel was born in 1653 in Nuremberg into a middle-class family, son of Johann (Hans) Pachelbel (born 1613 in Wunsiedel, Germany), a wine dealer, [3] and his second wife Anna (Anne) Maria Mair.
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"C U When U Get There" is a song by American rapper Coolio featuring 40 Thevz. It was released in June 1997 as the first single from Coolio's third studio album, My Soul (1997). The track was also featured on the soundtrack to the 1997 comedy film Nothing to Lose. It heavily interpolates Johann Pachelbel's Baroque "Canon in D Major." [2]