Search results
Results From The WOW.Com Content Network
While in Vienna, Paganini commissioned Joseph Panny, fellow violinist and composer, to write the "Tempest" on 25 May 1828 (it was completed on 14 June), supervising himself the composition. It is scored in various sections: a) Prelude.
Paganini in 1836 by John Whittle. Niccolò (or Nicolò) Paganini (Italian: [ni(k)koˈlɔ ppaɡaˈniːni] ⓘ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars
Niccolò Paganini. The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor , consists of a theme , 11 variations , and a finale.
The first theme of the majestic first movement, a theme that generates from "Le Streghe" (Witches's Dance) and the beginning of the second are also found in Paganini's "Sonata Varsavia" (Warsaw Sonata). The Andante is perhaps musically the central section of the work. In the third movement the recurrent idea is an ingenious melody "alla ...
Paganini's original published scoring was for 1 flute, 2 oboes, 2 clarinets, 1 bassoon, 2 horns, 2 trumpets, 1 trombone, and strings.. In the years following the original publication of the work, Paganini occasionally expanded his orchestration, writing out some odd parts to add from time to time in performance: 2nd flute, contrabassoon, doubled the horns, added trombones 1 & 2 (moving the ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The tempo marking here means "brisk and majestic". The movement modulates from D minor → F major → A minor → D minor → D major. The first movement begins with a powerful Beethoven-esque theme with striking similarity to the third movement of Vivaldi's Violin Concerto No. 6 consisting of a six-note melody, played by the viola and violin sections, punctuated by strong and syncopated ...