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The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
It initially consisted of between 16 and 24 singers with the men singing the bass, tenor, and alto parts and pre-adolescent boys singing the soprano parts, although from the mid-16th century, adult castrato singers began to replace the boy singers. The choir was to become the most important center of Roman music.
A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
Angelica Catalani (10 May 1780 – 12 June 1849) was an Italian opera singer, the daughter of a tradesman. Her greatest gift was her voice, a dramatic soprano of nearly three octaves in range. Its unsurpassed power and flexibility made her one of the greatest bravura singers of all time. She also worked as a singing teacher.
Maria Callas [a] Commendatore OMRI [1] (born Maria Anna Cecilia Sofia Kalogeropoulos; [b] December 2, 1923 – September 16, 1977) was an American and Greek soprano [2] and one of the most renowned and influential opera singers of the 20th century. Many critics praised her bel canto technique, wide
She performed regularly with the Opéra from 1690 to 1694, first singing in major productions as a soprano, and later in her more natural contralto range. The Marquis de Dangeau wrote in his journal of a performance by La Maupin given at Trianon of Destouches' Omphale in 1701 that hers was "the most beautiful voice in the world".
The mezzo-soprano voice resonates in a higher range than that of a contralto. The terms Dugazon and Galli-Marié are sometimes used to refer to light mezzo-sopranos, after the names of famous singers. Usually men singing within the female range are called countertenors since there is a lighter more breathy tonal (falsetto) quality difference. [4]
Ultimately, she was best known as the vocal teacher of a number of great singers. The most famous among them is perhaps Nellie Melba, but she also trained such illustrious singers as Emma Calvé, Frances Alda, Ellen Gulbranson, Gertrude Auld Thomas, [2] Selma Kurz, Maikki Järnefelt, and Emma Eames. Marchesi died in London in 1913.