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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
His painting Broadway Boogie-Woogie (1942–43) at the Museum of Modern Art was highly influential in the school of abstract geometric painting. The piece is made up of a number of shimmering squares of bright color that leap from the canvas, then appear to shimmer, drawing the viewer into those neon lights.
Allen was also a talented printmaker. He consistently made graphics alongside his painting and drawing. These works included Silk Screen Op art graphics back in the 60s, the "Iconocross" series of black cross derived prints, brightly coloured silk screens and Geometric abstraction, and a small edition of "White Painting" Lithographs.
Suprematism (Russian: супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects. [1]