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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school.
Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.
Karl Stanley Benjamin (December 29, 1925 – July 26, 2012 [1]) was an American painter of vibrant geometric abstractions, who rose to fame in 1959 as one of four Los Angeles–based Abstract Classicists and subsequently produced a critically acclaimed body of work that explores a vast array of color relationships.
According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent exponents of abstract art in the Philippines". She wrote in the CCP Encyclopedia of Art that Bernardo worked in series, "combining geometrism and color research in such work groupings as the Bernardian series, the Rhapsody Square series, and the ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Richard Allen (8 February 1933 – 9 February 1999) was a British Minimalist, Abstract, Systems, Fundamental, and Geometric painter and printmaker. Allen worked prolifically from 1960 until his death, [ 1 ] in 1999, from motor neurone disease .
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"