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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Tone of voice (e.g. serious, light-hearted, humorous) Mandatories (mandatory elements) — mandatory elements such as the client's logo, address, phone number and so forth. Deliverables — what is to be used to give the audience the message? What is the best way or place to reach this audience? Timeline — how soon is this needed?
Clinical Voice Therapy: Dinah Harris, contributor to The Voice Clinic Handbook, recommends learning Estill Voice Training as it provides many useful tools for those working in a voice clinic. [83] Rattenbury, Carding and Finn present a study that used a range of Figures for Voice exercises as prognostic indicators and voice therapy treatment ...
Emotional tone of voice, itself paralinguistic information, has been shown to affect the resolution of lexical ambiguity. Some words have homophonous partners; some of these homophones appear to have an implicit emotive quality, for instance, the sad "die" contrasted with the neutral "dye"; uttering the sound /dai/ in a sad tone of voice can ...
However, low tone always occurs after voiced consonants and only then. Thus, the only tonal distinction is after voiceless consonants and in vowel-initial syllables, and there is only a two-way distinction between high tone and mid tone. In a polysyllabic word, the tone of the first syllable determines the tone of the entire word.
The first of these vibratory forms is known as natural or normal voice; [9] another name for it is modal voice, which is widely used in both speech pathology and vocal pedagogy publications. In this usage, modal refers to the natural disposition or manner of action of the vocal cords.
Halliday saw the functions of intonation as depending on choices in three main variables: Tonality (division of speech into intonation units), Tonicity (the placement of the tonic syllable or nucleus) and Tone (choice of nuclear tone); [12] these terms (sometimes referred to as "the three T's") have been used more recently. [10]
For example, among its vowels, Burmese combines modal voice with low tone, breathy voice with falling tone, creaky voice with high tone, and glottal closure with high tone. These four registers contrast with each other, but no other combination of phonation (modal, breath, creak, closed) and tone (high, low, falling) is found.