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The Japanese porcelain-makers rather over-reached themselves, and in the 1880s there was something of an over-reaction, and Japanese porcelain acquired a reputation for poor quality, and prices and demand fell. Cheap wares could sell, but the better quality wares suffered, although small amounts of the highest quality wares found a market. [30]
The technique also differs from that of most Japanese porcelain, with the outlines of the pattern done in underglaze blue before the overglaze "enamelled" final decoration. [2] Nabeshima ware was not made for sale, but for the specific use of the Nabeshima clan and as gifts for the Tokugawa shogunate and various daimyō. [3]
Meizan used copper plates to create detailed designs and repeatedly transfer them to the pottery, sometimes decorating a single object with a thousand motifs. [25] Japan's porcelain industry was well-established at the start of the Meiji period, but the mass-produced wares were not known for their elegance. [26]
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Arita ware (Japanese: 有田焼, Hepburn: Arita-yaki) is a broad term for Japanese porcelain made in the area around the town of Arita, in the former Hizen Province, northwestern Kyūshū island. It is also known as Hizen ware ( 肥前焼 , Hizen-yaki ) after the wider area of the province.
Because the Japanese writing system, particularly the kana, is unique to Japan, standard-issue Japanese license plates are considered unacceptable for international travel. If motorists wish to take their vehicles abroad with them, the Ministry of Transport will issue them with plates with the hiragana and kanji scripts replaced by Roman letters.