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The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The hymn is most commonly set to the tune "Duke Street", composed by John Hatton, about whom little is known except his place of residence, on Duke Street in St. Helen's. [1] The following setting appears in the modern hymnal "Complete Anglican Hymns Old and New". [5]
The New English Hymnal is a hymn book and liturgical source aimed towards the Church of England. First published in 1986, it is a successor to, and published in the same style as, the 1906 English Hymnal. [1] It is published today by SCM Canterbury Press, an imprint of Hymns Ancient and Modern Ltd.
The hymn remains popular in modern compilations, notably appearing in the Carols for Choirs collection. It is normally paired with the tune "St. Fulbert" by Henry John Gauntlett. It has also been set to music as an anthem by Charles Villiers Stanford, and this version is equally in common use in Anglican churches.
It is popular in the Anglican tradition, having appeared in the influential Hymns Ancient and Modern (1861) as well as The English Hymnal (1906) and The New English Hymnal (1986). It is considered the author's best known and most widely used hymn, [5] and remains popular in many denominations. It has been described as one of the rare hymns ...
The English Hymnal is a hymn book which was published in 1906 [1] for the Church of England by Oxford University Press.It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music.
Not all churches can boast a full SATB choir, and a repertoire of one-, two- and three-part music is more suitable for many parish church choirs, a fact which is recognised in the current work of the Royal School of Church Music. Anglican churches also frequently draw upon the musical traditions of other Christian denominations.
John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.