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The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...
To achieve the same viewing angle with a 1/2" 16:9 sensor, you would need a 13mm lens. A 13mm lens inherently has much more depth-of-field than a 40mm lens. To achieve the same depth of field with a 40mm lens would require a very small aperture, which in turn would require far more light, and therefore time and expense.
The phrase depth of focus is sometimes erroneously used to refer to depth of field (DOF), which is the distance from the lens in acceptable focus, whereas the true meaning of depth of focus refers to the zone behind the lens wherein the film plane or sensor is placed to produce an in-focus image. Depth of field depends on the focus distance ...
Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus, one plane of the scene is in focus while the rest is out of focus . Shallow focus is typically used to emphasize one part of the image over another. [ 1 ]
Then, the smaller the image is, the more depth of field is obtained, for the same field of view. Therefore, 70mm has less depth of field than 35mm for a given field of view, 16mm more than 35mm, and early video cameras, as well as most modern consumer level video cameras, even more depth of field than 16mm.
Related to this concept is axial magnification – the perceived depth of objects at a given magnification. Perspective distortion takes two forms: extension distortion and compression distortion, also called wide-angle distortion and long-lens or telephoto distortion, [1] when talking about images with the same field size.
The DoF extends between two planes on either side of the plane of focus that intersect at a point beneath the lens (see Depth of field in the Scheimpflug principle article for an illustration). The DoF is wedge shaped, with the apex of the wedge near the camera, and the height of the wedge increasing with distance from the camera. [8]
depth of field depth of focus dialect coach An acting coach who helps an actor design and rehearse the voice and speech of a character in a film, television, stage, radio, or voiceover production. dialogue editor dichroic lens diegetic sound diffraction digital audio 1.