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"Music, Music, Music" Teresa Brewer: 7 "Third Man Theme" Guy Lombardo: 8 "Chattanoogie Shoe Shine Boy" Red Foley: 9 "Harbor Lights" Sammy Kaye: 10 "It Isn't Fair" Sammy Kaye & Don Cornell: 11 "If I Knew You Were Coming I'd have Baked a Cake" Eileen Barton with Morty Craft: 12 "Bonaparte's Retreat" Kay Starr with Lou Busch: 13 "Tzena, Tzena ...
Billboard number-one singles charts preceding the Billboard Hot 100 were updated weekly by Billboard magazine and the leading indicator of popular music for the American music industry since 1940 and until the Billboard Hot 100 chart was established in 1958.
1950 greatest hits albums (1 P) 1958 greatest hits albums (5 P) 1959 greatest hits albums (5 P) This page was last edited on 7 August 2020, at 18:37 (UTC). Text is ...
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
In 1950, the following four charts were produced: Best Sellers in Stores – ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country. Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations.
Television's Greatest Hits, Volume II: 65 More TV Themes from the '50s & '60s is a 1986 compilation album of television theme songs from the 1950s and 1960s released by TVT Records as the second volume of the Television's Greatest Hits series. The album catalog was later acquired by The Bicycle Music Company.
Artist Title Year Country Chart Entries 1: Bill Haley & His Comets: Rock Around the Clock: 1955: US: UK 1 – Jan 1955 (36 weeks), US Billboard 1 – May 1955 (24 weeks), US BB 1 of 1955, US CashBox 1 – Jul 1954 (31 weeks), Your Hit Parade 1 of 1955, Record Mirror 1 for 8 weeks – Nov 1955, Australia 1 for 6 weeks – Aug 1955, Germany 1 for 4 weeks – Jun 1956, UK sales 1 of the 1950s ...
Original Pilipino Music, more commonly referred to as OPM, a commercial acronym coined by Danny Javier of the APO Hiking Society, [6] originally referred only to the pop genre of music from the Philippines, predominantly ballads and novelty numbers, that became popular after the wane of its direct 1970s commercial predecessor, Manila sound.