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His body was finally buried in 1876, in a cemetery in Parma. In 1893, the Czech violinist František Ondříček persuaded Paganini's grandson, Attila, to allow a viewing of the violinist's body. After this episode, Paganini's body was finally reinterred in a new cemetery in Parma in 1896. [12]
Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets: d, Eb, a: String Quartet: 2 violins, viola and cello 1816: 6: 21: Violin Concerto No.1: Eb: Violin / Orch. Usually transposed to D ...
Pages in category "Compositions by Niccolò Paganini" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
Niccolò Paganini. The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Joe Stump – used the main theme for an interpretation on the song Paganini's Revenge on the album Guitar Dominance. The track also incorporates elements from Paganini's 5th Caprice; Karol Szymanowski – No. 3 from Trzy kaprysy Paganiniego (3 Caprices de Paganini), Op. 40 (1918); transcriptions for violin and piano [2]
Paganini's original published scoring was for 1 flute, 2 oboes, 2 clarinets, 1 bassoon, 2 horns, 2 trumpets, 1 trombone, and strings.. In the years following the original publication of the work, Paganini occasionally expanded his orchestration, writing out some odd parts to add from time to time in performance: 2nd flute, contrabassoon, doubled the horns, added trombones 1 & 2 (moving the ...
The Le Brun Stradivarius of 1712 is a violin made by Italian luthier Antonio Stradivari of Cremona (1644–1737). It is the only violin from Stradivari’s golden period [1] known to have been owned and played by the violinist Niccolò Paganini.
The tempo marking here means "brisk and majestic". The movement modulates from D minor → F major → A minor → D minor → D major. The first movement begins with a powerful Beethoven-esque theme with striking similarity to the third movement of Vivaldi's Violin Concerto No. 6 consisting of a six-note melody, played by the viola and violin sections, punctuated by strong and syncopated ...