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The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living ...
The fame of Rembrandt's etchings has endured through the centuries, even more than his paintings; this is all the more remarkable given that he was active in the 17th century, the golden age of Dutch etching, and that this technique is only one of those the artist employed, with over four hundred paintings and thousands of drawings. [34]
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
The most famous painter from the region in the late 17th and early 18th century is Antoine Watteau, whose hometown of Valenciennes had been annexed by France a decade before he was born. Otherwise, few painters from about 1700 until the end of the United Kingdom of the Netherlands in 1830 have been incorporated into the art historical discourse.
History painting, which includes biblical, mythological and historical subjects, was considered by seventeenth-century theoreticians as the most noble art. Abraham Janssens was an important history painter in Antwerp between 1600 and 1620, although after 1609 Rubens was the leading figure.
The Ashgate Research Companion to Dutch Art of the Seventeenth Century. (Burlington, VT: Ashgate, 2016) Freedberg, David; de Vries, Jan (eds.): Art in History, History in Art: Studies in Seventeenth-century Dutch Culture. (Santa Monica: Getty Center for the History of Art and the Humanities, 1991) Fromentin, Eugène: Les maîtres d'autrefois ...