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Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Cynthia A. Freeland (born 1951) is an American philosopher of art.She has published three monographs, over two dozen articles, and edited several books. She is emeritus professor of philosophy at the University of Houston.
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...
Art Theory: Cynthia Freeland: 13 February 2003: But Is It Art?: An Introduction to Art Theory, 2001: Art 084: Locke: John Dunn: 8 May 2003: Past Masters series, 1984: Philosophy/Biography 085: Modern Ireland: Senia Paseta: 27 March 2003: Human Geography 086: Globalization: Manfred Steger: 27 March 2003 22 January 2009 (2nd ed.) 4 April 2013 ...
Art and Illusion, A Study in the Psychology of Pictorial Representation, is a 1960 book of art theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts.
On English art "The history of modern art in England is to a large extent a history of delayed and mediated responses." [3]On the value of art "[V]ividness in representation must entail the reconciliation of technical concerns for expressive form and surface on the one hand with the requirements of realistic description on the other...the more the activity of art tends toward the pursuit of ...
Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music". [2] [3] Kandinsky in 1911 reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory, [2] and adding that there is a deep relationship between all the arts, not only between music and painting.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]