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" Story by Alan Stranks, Drawn by Harry Lindfield First appeared in Eagle March 22, 1957 See also The Best of Eagle edited by Marcus Morris 1977 pages 121 to 128 "Marvel of MI5", written by David Cameron and illustrated by Paddy Nevin "P.C. 49", written by Alan Stranks and illustrated by John Worsley
The Virgin and Child with Saint Anne and Saint John the Baptist, sometimes called the Burlington House Cartoon, is a drawing by Leonardo da Vinci. The drawing is in charcoal and black and white chalk, on eight sheets of paper that are glued together. Because of its large size and format the drawing is presumed to be a cartoon for a painting. [1]
Eagle characters are characters who have appeared in the British comic book Eagle (comic). Pages in category "Eagle (comic) characters" The following 10 pages are in this category, out of 10 total.
Eagle, sometimes referred to as The New Eagle and known at various points in its life as Eagle and Scream!, Eagle and Tiger, Eagle and Battle, Eagle and M.A.S.K. and Eagle and Wildcat, was a British boys' adventure comic published by IPC Magazines from 27 March 1982 to January 1994.
Eagle was published in a more expensive format, and was a gravure-printed weekly, with regular sales of nearly one million. [21] (This format was used originally by Mickey Mouse Weekly during the 1930s.) Eagle's success saw a number of comics launched in a similar format — TV Century 21, Look and Learn and TV Comic being notable examples ...
Eagle also spawned a large range of merchandise, which included toothpaste, pyjamas, and toy ray guns. [39] Several annuals were printed; the first was announced in a September 1951 issue, in Morris's regular letter to his readers. [45] [nb 8] Eagle became immensely popular with people of all ages and walks of life. Copies brought into school ...
It was an awkward set-up: the new owners of Eagle thought the strip looked dated, so gave Bellamy the brief of redesigning everything, from the costumes and spacecraft to the page layouts. Bellamy was left to draw the title page unaided (in contrast to Hampson's many-hands approach, where the drawing, inking, lettering and colouring were all ...
Within ten years the original deposit had grown to a collection of 70,000 original drawings, and by 2009 it stood at 130,000 original drawings, making it by far the largest archive of British cartoon artwork. In 1988, the BCA began to develop a computer catalogue, and in 1990 it began adding digital images of its cartoons.