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Later, when the beads were made of polyethylene, it became possible to fuse them with a flat iron. HAMA began producing pegboard beads in 1971, but they only became fusible by the late 70s. [9] Peter Schneck and Dee Dee Schneck founded the Perler brand of fuse bead in 1981 in California, [10] and the beads gained popularity during the 1980s. [4]
The image is printed with iron-on transfer inks. [1] After placing the iron-on transfer on the fabric and pressing with an iron or a heat press, the image is transferred to the fabric. There are two primary types of iron-on transfer inks: plastisol-type and sublimation-type. Plastisol-type inks are thick with a lacquer base.
Some embroiderers also made their own guides using cardboard and an embroidery marking pencil. [2] By 1880, iron-on transfer dots were available and advertised in magazines such as Weldon's. The iron-on transfers places evenly spaced dots onto the wrong side of the fabric, which were then pleated using a regular running stitch.
A contemporary pattern-welded sword blade made by Danish swordsmith Ejvind Nørgård. The blade shows a chevron pattern with opposing twists and straight laminate alternating. Pattern welding is an practice in sword and knife making by forming a blade of several metal pieces of differing composition that are forge-welded together and twisted ...
3 C particles made by melting of low levels of carbide-forming elements. [25] Wootz contains greater carbonaceous matter than common qualities of cast steel. [citation needed] The distinct patterns of wootz steel that can be made through forging are wave, ladder, and rose patterns with finely spaced bands.
Patterns used in sand casting may be made of wood, metal, plastics or other materials. Patterns are made to exacting standards of construction, so that they can last for a reasonable length of time, according to the quality grade of the pattern being built, and so that they will repeatably provide a dimensionally acceptable casting. [3]
A chaser in Tunis using a lightweight chasing hammer and a liner to chase a pattern into a brass mortar. The tools needed for these techniques are [10] A container for the pitch, such as a "pitch tray" for larger plates, or a heavy hemispherical cast iron "pitch bowl" for smaller ones. The bowl can be placed over a sand bag or leather ring, and ...
The technique, while also being used on firearms, has a long history in Japan, where it was used to decorate katana fittings, particularly tsuba.Known as zougan (象嵌) in Japanese, it has developed its own subset of terms to describe the particular patterns, although "shippou-zougan" is an enamelling technique which most Westerners would consider closer to champlevé.