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On at least two occasions, artist's statements have been the subject of gallery exhibitions. The first exhibition of artists' statements, The Art of the Artist's Statement, was curated by Georgia Kotretsos and Maria Pashalidou at the Hellenic Museum, Chicago, in the spring of 2005. It featured the work of 14 artists invited to create artwork ...
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Poklong Anading (born August 1, 1975, Manila, Philippines) is a contemporary artist. He works in various mediums including photography, video, painting, sculpture and installation. He works in various mediums including photography, video, painting, sculpture and installation.
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches. Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium.
Photographer is the idea that photographs can be used to tell a story. Allen Feldman stated that "the event is not what happens, the event is that which can be narrated". [ 1 ] Because photography captures single discrete moments, and narrative as described by Jerome Bruner is irreducibly temporal, it might seem photography cannot actually ...
Artists of The West Coast Photographic Movement embraced and developed straight photography in the 1930s. In his autobiography, Ansel Adams [1] used the terms straight photography and pure photography. He describes pure photography as, "... defined as possessing no qualities of technique, composition or idea, derivative of any other art form".
Visual autoethnography has been noted by various scholars as a methodology which challenges power relations for the maker and the viewer. [1] [3] [4] Drawing on the work of Mary Louise Pratt and bell hooks in his research on gang photography, Richard T. Rodríguez refers to the autoethnography as "a practice in which colonized subjects turn the gaze inward."