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The mundum neriyatum is the extant form of the ancient sari referred to as "Sattika" in Hindu, Buddhist and Jain literature. [3] The mundu is the surviving form of lower garment of the ancient clothing referred to as antariya worn in a special way (lower garment). [4]
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe , with one end attached to the waist, while the other end rests over one shoulder as a stole , [ 3 ] sometimes baring a part of the midriff .
It is the traditional dress of women in Kerala, a state in the southwestern part of India. [34] [35] The basic traditional piece is the mundu or lower garment which is the ancient form of the saree denoted in Malayalam as 'Thuni' (meaning cloth), while the neriyathu forms the upper garment the mundu. [34] [35] Mekhela Sador
Kasavu is a technique used in handlooms of Kerala, with very fine threads of gold or silver used in weave to make border lines and designs on silk and cotton fabrics. This technique later spread to most of India and the Kasav technique was developed for many other fabrics across India.
Another influence of the British on Indian women's clothing was the introduction of new materials. They started using mill-made cloth and other imported satins and artificial silks. [20] A few reasons for using these new materials include that they were cheaper to produce and were more versatile than the cloth used in India.
Madurai Sungudi is a design from Madurai, in the Indian state of Tamil Nadu, which is an exclusive textile product traditionally produced using tie and dye (using natural dyes) method by the Saurashtrians, who migrated to Madurai under the patronage of King Thirumalai Naicker in the 17th century. [1]
Original dress code of Sindhi women was Lehenga/Ghagra Choli with a long and wide veil, up until the 1840s, women started wearing the suthan underneath the lehnga, later on around 1930s with time Sindhi women stopped wearing lehenga and only wore Sindhi suthan and choli got replaced by long cholo, and men originally wore Dhoti or Godd and a long or short angrakho or Jamo [1] [2] [3] later ...
Sambalpuri textiles today include furnishing materials, dress materials and saris in silk, cotton and mercerised cotton in a variety of colours and many different designs. Baandha craftsmen are also masters of the 'extra warp' and 'extra weft' style of designing which can be seen in almost all forms of Baandha textiles.