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In the 1200s, Nichiren Daishonin wrote some of his important writings in dialogue form, describing a meeting between two characters in order to present his argument and theory, such as in "Conversation between a Sage and an Unenlightened Man" (The Writings of Nichiren Daishonin 1: pp. 99–140, dated around 1256), and "On Establishing the ...
The dialogue between the two people is also reflected musically, with Kath's guitar and Cetera's bass feeding off each other. As Part I comes to a close, Kath's character thanks the other character for the talk, saying "you know you really eased my mind/I was troubled by the shapes of things to come."
Dialogue is usually identified by the use of quotation marks and a dialogue tag, such as 'she said'. [5] "This breakfast is making me sick," George said. 'George said' is the dialogue tag, [6] which is also known as an identifier, an attributive, [7] a speaker attribution, [8] a speech attribution, [9] a dialogue tag, and a tag line. [10]
Dialogue is usually analyzed as some kind of interaction between two monads on the basis of a pre-conceived model. Bakhtin regards this conception as a consequence of 'theoretism'—the tendency, particularly in modern western thought, to understand events according to a pre-existing set of rules to which they conform or structure that they exhibit. [3]
"Deux amis" or "Two Friends" is a short story by the French author Guy de Maupassant, published in 1883. The story is set in Paris during the Franco-Prussian War , when the city lay under siege. The story examines French bravery, German stereotypes and, unusually for Maupassant, discusses the nature and justification of war in the form of a ...
The Phaedrus (/ ˈ f iː d r ə s /; Ancient Greek: Φαῖδρος, romanized: Phaidros), written by Plato, is a dialogue between Socrates and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium . [ 1 ]
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
Galilei's Dialogue Concerning the Two Chief World Systems compares the Copernican model of the universe with the Aristotelian. Matteo Ricci. Ricci's The True Meaning of the Lord of Heaven (天主實義) is a Socratic dialogue between Ricci and a Chinese scholar, where Ricci argues that Christianity and Confucianism are not opposed to each other.