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Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter . The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation .
The intaglio printmaking techniques all print images from ink held in the lines or other recesses made by the artist in the printing plate. For each impression, ink is spread over the whole plate, worked well in, and then the flat surface is normally wiped carefully clean to remove all ink except that in the recesses, using a form of squeegee ...
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Vitreography was initially conceived of as an intaglio process, in which line and tone are carved, engraved or etched into the glass plate’s surface. Printing an intaglio plate involves forcing ink into the grooves and pits, and then wiping the plate’s surface with tarlatan [15] to remove excess ink.
Using stencils to apply the glue and sprinkling different amounts of carborundum through the different stencils. To print a carborundum print, the surface is covered in ink, and then the surface is wiped clean with tarlatan cloth or newspaper, leaving ink only in the texture of the screen or carborundum. A damp piece of paper is placed on top ...
In the direct form of printing, the inked image is transferred under pressure onto a sheet of paper using a flat-bed press. The offset indirect method uses a rubber-covered cylinder that transfers the image from the printing surface to the paper. Colours may be overprinted by using additional stones or plates to achieve a closer reproduction of ...
Wood engraving is a relief printing technique, with the images made by carving into fine-grained hardwood blocks. Ink is rolled onto the surface of the block, dry paper is placed on top of the block and it is printed either by rolling both through a press, or, by hand, using a baren to rub the ink from the surface of the block onto the paper.
The ink is controlled in the flexographic printing process by the ink system. The ink system contains an ink pump, anilox roll and either a fountain roll system or doctor blade system. The fountain roll or two-roll system has one roll spinning in an ink pan pressed against the anilox roll to transfer a layer of ink to then be applied to the ...