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  2. Emo subculture - Wikipedia

    en.wikipedia.org/wiki/Emo_subculture

    Emo, whose participants are called emo kids or emos, is a subculture which began in the United States in the 1990s. [1] Based around emo music, the subculture formed in the genre's mid-1990s San Diego scene, where participants were derisively called Spock rock due to their distinctive straight, black haircuts.

  3. Emo - Wikipedia

    en.wikipedia.org/wiki/Emo

    Emo pop (or emo pop punk) is a subgenre of emo known for its pop music influences, more concise songs and hook-filled choruses. [99] AllMusic describes emo pop as blending "youthful angst " with "slick production" and mainstream appeal, using "high-pitched melodies , rhythmic guitars, and lyrics concerning adolescence , relationships, and ...

  4. List of emo artists - Wikipedia

    en.wikipedia.org/wiki/List_of_emo_artists

    Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C. , where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace .

  5. Alive With the Glory of Emo: The Oral History of Say ... - AOL

    www.aol.com/entertainment/alive-glory-emo-oral...

    It was the early 2000s: emo music was making its mark on the world, and Say Anything’s Max Bemis was creating a masterpiece—while simultaneously losing his mind. While the band has since ...

  6. The Emo music renaissance is upon us. How the genre is ... - AOL

    www.aol.com/news/emo-music-renaissance-upon-us...

    The Emo Nite event, now a full-fledged national business in its 10th year, started out as a way for creators Petracca and Freed to listen to the kind of music they enjoyed — despite it not being ...

  7. E-kid - Wikipedia

    en.wikipedia.org/wiki/E-kid

    The popularity and eventual death of emo rapper Lil Peep also influenced the beginnings of the subculture, [17] with the New York Post describing him as "the patron musical saint of e-land". [18] E-boys also make use of "soft-boy aesthetics" through presenting themselves as sensitive and vulnerable.

  8. Midwest emo - Wikipedia

    en.wikipedia.org/wiki/Midwest_emo

    According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." [5] Midwest emo is sometimes used interchangeably with second-wave emo. [6]

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