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A contralto (Italian pronunciation: [konˈtralto]) is a type of classical female singing voice whose vocal range is the lowest female voice type. [1]The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F 3 in scientific pitch notation) to the second F above middle C (F 5), although, at ...
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
The contralto voice has the lowest tessitura of the female voices and is noted for its rich and deep vocal timbre. [2] True operatic contraltos are very rare. [3] The following is a list of contralto singers who have regularly performed unamplified classical or operatic music in concert halls and/or opera houses. [4]
Vocal range is the range of pitches that a human voice can phonate. ... Mezzo-soprano: the middle female voice typically between A 3 and A 5; Contralto: ...
Contralto range: The contralto voice is the lowest female voice. A true operatic contralto is rare, [citation needed] so much so that often roles intended for contraltos are performed by mezzo-sopranos. The typical contralto range lies between F3 (the F below middle C) to F5 (the second F above middle C).
The contralto voice is a matter of vocal timbre and tessitura as well as range, and a classically trained solo contralto would usually have a range greater than that of a normal choral alto part in both the upper and lower ranges. However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable ...
A type of classical female singing voice whose vocal range is the lowest female voice type ... Carol Smith (contralto) Kate Smith; Patti Smith; Phoebe Snow; Ada Soder ...
English equivalent: dramatic contralto; Range: From about the F below middle C (F 3) to the G or A two octaves above (G–A 5) Description: Stylistically similar to the dramatic mezzo, just lower. Sings usually around the break between the chest voice and middle voice. Many mezzos tried their luck in these roles, yet real altos fare better.