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Arri: Alexa LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW) 160 - 3200 (800 native) 13.5 stops [11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV: 23.98-150 Arri: Alexa Mini LF: 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW ...
Arri Alexa camera. The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and ...
Aaton 35: Aaton: 2002 16 lb (7.3 kg), with full magazine and onboard battery Sync 30 dB (4 perf), 24 dB (3 perf) Arriflex 235 Arriflex 235: Arri: 2004 7.7 lb (3.5 kg), with viewfinder MOS N/A Arriflex 435 Xtreme Arriflex 435: Arri: 2004 14.3 lb (6.5 kg), without magazine MOS N/A Panaflex Millennium XL2 Panaflex Millennium: Panavision: 2004 ...
Arri bayonet was a lens mount developed by Arri for use with both 16 mm and 35 mm movie camera lenses. Lenses of this type are distinguished by "outer wings" which both control aperture and bayonet alignment, and are placed in the mount while two pressure tabs are simultaneously depressed at the side of the lens mount on the camera.
The Arriflex D-21 is a film-style digital motion picture camera introduced by Arri in 2008 to replace ... The D-21 uses a Super 35 (4:3 ... Arri Alexa; Panavision ...
It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line. The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s. As such, the Arricam is a fusion of the mechanical and intuitive ...
Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop.
The camera utilizes a three lens turret with three aluminum Arri lens mounts (later 35 IIC/B with one stainless steel bayonet mount and two aluminum Arri mounts), and is capable of frame rates up to 80 frames per second with an accessory speed unit. Film magazines are for 200 ft or 400 ft loads. The DC motor is mounted downwards as a handgrip.