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Modern Gothic exhibition cabinet (c. 1877–1880) is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst , MMA now credits its design and manufacture to Pabst alone.
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
Born in Langenstein, Hesse, Germany, Pabst immigrated to the U.S. in 1849 and settled in Philadelphia, Pennsylvania, where he would make his professional career.The excellence of his craftsmanship elevated him above his peers, as did the strongly architectonic (building-like) quality of his furniture designs—often massively scaled, with columns, pilasters, rounded and Gothic arches, bold ...
In the cabinets the lower part was usually a closed cupboard, paneled and ornamented, with terms between the different divisions, the figure issuing from the vase being now a head only, and now two-thirds of the whole; the top projected, and was upheld by the big columns; and all the surfaces were enriched with sculptures after the approved ...
[11] [6]: 170 To craft his veneered cabinets and other furniture pieces, including beds and bookshelves, Day worked with hand tools in his earlier years, but in the 1840s he introduced steam power into his workshop. This steam power quickened Day's crafting process and increased production levels, because Day could easily replace structural ...
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