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The Life and Death of King Richard the Second, often shortened to Richard II, is a history play by William Shakespeare believed to have been written around 1595. Based on the life of King Richard II of England (ruled 1377–1399), it chronicles his downfall and the machinations of his nobles.
Richard the Redeless ("Richard without counsel") is an anonymous fifteenth-century English alliterative poem that critiques Richard II's kingship and his court, seeking to offer Richard retrospective (or even posthumous) advice, following his deposition by Henry IV in 1399. The poet claims that "Richard has been poorly advised, his kingdom ...
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
Edward, Prince of Wales, kneeling before his father, King Edward III. Richard of Bordeaux was the younger son of Edward, Prince of Wales, and Joan, Countess of Kent.Edward, eldest son of Edward III and heir apparent to the throne of England, had distinguished himself as a military commander in the early phases of the Hundred Years' War, particularly in the Battle of Poitiers in 1356.
The term Henriad, following after Kernan, acquired an expanded second meaning, which refers to two groups of Shakespearean plays: The tetralogy mentioned above (Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V), and also four plays that were written earlier and are based on the historic events and civil wars now known as The Wars of the Roses; Henry VI, Part 1, Henry VI, Part 2 ...
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Pearl (Middle English: Perle) is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex ...
The plays were organised, financed and performed by the York Craft Guilds ("Mystery" is a play on words, representing a religious truth or rite, and its Middle English meaning of a trade or craft). The wagons were paraded through the streets of York, stopping at 12 playing stations, designated by the city banners.