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Medieval art was now heavily collected, both by museums and private collectors like George Salting, the Rothschild family and John Pierpont Morgan. After the decline of the Gothic Revival, and the Celtic Revival use of Insular styles, the anti-realist and expressive elements of medieval art have still proved an inspiration for many modern artists.
The terms "4K" and "Ultra HD" are used more widely in marketing than "2160p" (cf. "1080p"). While typically referring to motion pictures, some digital camera vendors have used the term "4K photo" for still photographs, making it appear like an especially high resolution even though 3840×2160 pixels equal approximately 8.3 megapixels, which is ...
Title page of an Amadís de Gaula romance of 1533. A knight-errant [1] (or knight errant [2]) is a figure of medieval chivalric romance literature.The adjective errant (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels (pas d'armes) or in some other pursuit of courtly love.
A painting from the original manuscript of Sir Gawain and the Green Knight.The Green Knight is seated on the horse, holding up his severed head in his right hand. The Green Knight (Welsh: Marchog Gwyrdd, Cornish: Marghek Gwyrdh, Breton: Marc'heg Gwer) is a heroic character of the Matter of Britain, originating in the 14th-century poem Sir Gawain and the Green Knight and the related medieval ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 February 2025. Honorary title awarded for service to a church or state "Knights" redirects here. For the Roman social class also known as "knights", see Equites. For other uses, see Knight (disambiguation) and Knights (disambiguation). A 14th-century depiction of the 13th-century German knight ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
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The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.