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Timpani is an Italian plural, the singular of which is timpano, though the singular may also be referred to as a timpanum. In English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis.
A work for one or more solo instruments accompanied by an orchestra Concertino: little concert: A short concerto; the solo instrument in a concerto Concerto grosso: big concert: A Baroque form of concerto, with a group of solo instruments Da capo aria: from the head aria: A three-section musical form Dramma giocoso: jocular drama: A form of ...
The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed. The old practice of learning parts by rote gave way to written music and composers began writing more regularly for the ...
Like the marching mallet percussion, timpani were marched when drum corps required everything to be marched. The marching timpani were made of fiberglass, and were played by a four- or five-man line (similar to a modern-day bass drum line). The timpani were cranked by a handle sticking up on the side of the drum.
A timpani is a kind of kettle drum A cuica is a kind of friction drum. Barrel drums are normally one-headed, and may be open at the bottom. They bulge in the middle. Examples include the Dhak from eastern parts of India, bendre, made by the Mossi of Burkina Faso out of a large calabash, and the trong chau of Vietnam.
Pitched percussion instruments do not use this clef — timpani are notated in bass clef and mallet percussion instruments are noted in treble clef or on a grand staff. If the neutral clef is used for a single percussion instrument the staff may only have one line, although other configurations are used.