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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
Ronald Johnson (November 25, 1935 – March 4, 1998) [1] was a poet from Ashland, Kansas, United States, whose significant works include a number of experimental long poems such as The Book of the Green Man, RADI OS, and his magnum opus ARK.
Censor bars are also used in art forms such as blackout poetry. Censor bars may also have the words 'censored', 'redacted', 'private information', 'sensitive information', etc. to indicate their presence. Sometimes, censor bars are replaced by images instead of just bars.
Cybertext is a subcategory of ergodic literature that Aarseth defines as "texts that involve calculation in their production of scriptons". [1]: 75 The process of reading printed matter, in contrast, involves "trivial" extranoematic effort, that is, merely moving one's eyes along lines of text and turning pages.
Alex Lemon (born in 1978) is an American poet and memoirist.. Lemon is the author of five books: [1] The poetry collections Mosquito (Tin House Books 2006), [2] Hallelujah Blackout (Milkweed Editions 2008), [3] Fancy Beasts (Milkweed Editions 2010), and The Wish Book (Milkweed Editions 2014) and Happy: A Memoir (Scribner 2010).
Professor Elizabeth Scala, who teaches a course on Swift’s songbook at the University of Texas at Austin, says “there is something poetical about the way she writes,” adding that her work on ...
The Complete Collected Poems of Maya Angelou is Maya Angelou's first collection of poetry. By the time of its publication in 1994, she had published five autobiographies, eventually going on to publish seven, and five books of poetry. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. [1]