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Pages in category "Russian crime television series" The following 31 pages are in this category, out of 31 total. ... The Bridge (Russian TV series) Brigada; C. Cop ...
Crime 2000–2006 C1R, REN TV: Deadly Force: Убойная сила: Crime 2000–2007 NTV: Bandit Petersburg: Бандитский Петербург: Crime 2008–2014 C1R: Big Difference: Большая разница: Sketch comedy 2001–2009 C1R: Last Hero: Последний герой: Reality 2001–present C1R: Let Them Talk ...
Pages in category "Russian police procedural television series" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes .
The Method (Russian: Метод) is a Russian crime drama television series, produced by Sreda, starring Konstantin Khabensky and Paulina Andreeva. [1] The first episode aired on Channel One October 18, 2015. [2] Principal photography was done in Nizhny Novgorod. The second season began November 8, 2020 on Channel One. [3]
Silver Spoon (Russian: Мажо́р, romanized: Mazhor) is a Russian crime drama television series produced by Sreda for Channel One Russia. It debuted in 2014. Silver Spoon was the first Russian television show to be acquired by Netflix. [1] [2]
Liquidation (Russian: Ликвидация, Likvidatsiya) is a highly popular Russian television series, which parallels the famous The Meeting Place Cannot Be Changed with notable ethical shift. In the "Meeting Place", chief of criminal investigations Gleb Zheglov (played by Vladimir Vysotskiy ) had a modus operandi "Thief must go to prison ...
Klim (Russian: Клим) is a Russian psychological crime drama television series starring Konstantin Lavronenko as the title character, Detective Chief Inspector Klim, who works in Saint Petersburg, Russia. The series is a direct remake of the BBC TV series Luther. [1] [2] [3] The show is produced by Sreda for broadcast on Channel One Russia ...
Brigada (Russian: Бригада), also known as Law of the Lawless, is a Russian 15-episode crime television miniseries that debuted in 2002. It became very popular in Russia and ex-Soviet countries as well as Eastern Europe, but received criticism for positive portrayal of criminals and aestheticization of violence.