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Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
"A Cream Cracker Under The Settee" is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC. The series became very popular, moving onto BBC Radio, international theatre, becoming one of the best-selling audio book releases of all time and included as part of both the A-level and ...
"My Last Duchess" is a poem by Robert Browning, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. [1] The poem is composed in 28 rhyming couplets of iambic pentameter (heroic couplet). In the first edition of Dramatic Lyrics, the poem was merely titled "Italy".
"Denzel Washington giving the 'Tomorrow and tomorrow and tomorrow' monologue in Macbeth (2021) somehow made 500-year-old material feel fresh."View Entire Post ›
Read the full text of Ferrera's monologue -- which she reportedly delivered 30 times on set-- below: It is literally impossible to be a woman. You are so beautiful, and so smart, and it kills me ...
In this week’s episode of the Paramount+ series, the oil-company lawyer played by Kayla Wallace delivers a blistering monologue to a room full of male attorneys who’ve severely underestimated her.
An oft-quoted poem, it is a popular example of the dramatic monologue. Facing old age, mythical hero Ulysses describes his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again.
Persona poetry, using dramatic monologues, has also been used to convey themes of racial tension. Ryan Sharp states that the 2000s have seen a sharp rise in Black American poets using the persona, interrogating poetic material in the Archive, such as Rita Dove 's Rosa Parks in On the Bus with Rosa Parks (1999). [ 21 ]