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Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets: d, Eb, a: String Quartet: 2 violins, viola and cello 1816: 6: 21: Violin Concerto No.1: Eb: Violin / Orch. Usually transposed to D ...
By 1800, Paganini and his father traveled to Livorno, where Paganini played in concerts and his father resumed his maritime work. In 1801, the 18-year-old Paganini was appointed first violin of the Republic of Lucca , but a substantial portion of his income came from freelancing.
Niccolò Paganini. The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Caprice No. 24 in A minor is the final caprice of Niccolò Paganini's 24 Caprices, and a famous work for solo violin. The caprice, in the key of A minor , consists of a theme , 11 variations , and a finale.
The first theme of the majestic first movement, a theme that generates from "Le Streghe" (Witches's Dance) and the beginning of the second are also found in Paganini's "Sonata Varsavia" (Warsaw Sonata). The Andante is perhaps musically the central section of the work. In the third movement the recurrent idea is an ingenious melody "alla ...
Since Paganini, many variations on the theme have been written, most notably those by Jean-Baptiste Arban, Del Staigers, Herbert L. Clarke for the cornet, trumpet, and euphonium, Francisco Tárrega and Johann Kaspar Mertz for classical guitar, Ignace Gibsone and Louis Moreau Gottschalk for piano, and Giovanni Bottesini for double bass. [3]
Paganini's original published scoring was for 1 flute, 2 oboes, 2 clarinets, 1 bassoon, 2 horns, 2 trumpets, 1 trombone, and strings.. In the years following the original publication of the work, Paganini occasionally expanded his orchestration, writing out some odd parts to add from time to time in performance: 2nd flute, contrabassoon, doubled the horns, added trombones 1 & 2 (moving the ...
Moretti and Sorrento refers to a thematic catalogue of the works of Niccolò Paganini. The catalogue was commissioned in 1982 by the city of Genoa in celebration of the bicentenary of Paganini's birth. [1] It was edited by Maria Rosa Moretti and Anna Sorrento, hence the abbreviation "MS" is assigned to Paganini's catalogued works. [1]