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  2. Roy Lichtenstein - Wikipedia

    en.wikipedia.org/wiki/Roy_Lichtenstein

    Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist.During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement.

  3. Little Big Painting - Wikipedia

    en.wikipedia.org/wiki/Little_Big_Painting

    Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that include several paintings and sculptures. It is located at the Whitney Museum of American Art in New York City.

  4. Whaam! - Wikipedia

    en.wikipedia.org/wiki/Whaam!

    Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. [1] Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966.

  5. Category:Paintings by Roy Lichtenstein - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by_Roy...

    Paintings by the American artist Roy Lichtenstein. Pages in category "Paintings by Roy Lichtenstein" The following 52 pages are in this category, out of 52 total.

  6. Oh, Jeff...I Love You, Too...But... - Wikipedia

    en.wikipedia.org/wiki/Oh,_Jeff...I_Love_You,_Too...

    (sometimes Oh, Jeff) is a 1964 oil and magna on canvas painting by Roy Lichtenstein. Like many of Lichtenstein's works, its title comes from the speech balloon in the painting. Although many sources, such as the Encyclopedia of Art , describe Whaam! and Drowning Girl as Lichtenstein's most famous works, [ 1 ] [ 2 ] artist Vian Shamounki ...

  7. Look Mickey - Wikipedia

    en.wikipedia.org/wiki/Look_Mickey

    Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein.Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting.