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The vocals and performances were recorded live. “It’s not just going and doing a gig where you go and stand on stage and sing the song. You sing it 20 times,” Warhurst explains.
Avant-garde musician Diamanda Galás contributed to the score; she performed raw vocal improvisation on top of the previously recorded brass instrumentation at Capitol Studios. Much of the score followed the brass motions and as she heard some of the material, she decided to layer her multi-tracked vocals to improvise the brass recordings and ...
Music journalist Ken Sharp rated the title track as the Raspberries' 9th best song, describing it as "Raspberries do Elton, with sublime vocals." [12] Classic Rock History critic Brian Kachejian rated it as the band's 4th best song, noting that the piano riff has some similarities to Elton John's "Tiny Dancer". [13]
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]
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The track is sparse musically, features a raw vocal delivery by Anselmo, and a short spoken-word segment. Anselmo (right) performs with Voivod in 2013. In 2015, Anselmo contributed backing vocals to "The Prophets of Loss", a song from the Cattle Decapitation album "The Anthropocene Extinction", released in August 2015. [50]