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Below is the résumé of scenes and dances taken from the theatre program of the St. Petersburg Imperial Ballet. It is the Imperial Ballet's production as staged by Marius Petipa that serves as the basis for all modern-day productions. Act I. no. 01 Prélude et Mazurka; no. 02 Valse et jalousie; no. 03 Scène; no. 04 Mazurka; no. 05 Scène
Square Dance (ballet) Stars and Stripes (ballet) The Steadfast Tin Soldier (ballet) Stravinsky Violin Concerto (ballet) Suite of Dances (ballet) A Suite of Dances; Swan Lake (Balanchine) Les Sylphides; Symphony in C (ballet) Symphony in E-flat (ballet) Symphony in Three Movements (ballet) Symphony No. 1 (ballet)
In December 2017, Martins took a leave of absence from the New York City Ballet following an allegation of sexual misconduct made against him. [43] [44] [45] Five dancers of the New York City Ballet later told the New York Times that Martins had verbally or physically abused them; Martins denied engaging in any misconduct.
This page was last edited on 22 November 2024, at 04:09 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The last costumes executed by Stage & Art Inc. were for Franco Zeffirelli's production of Verdi's Falstaff, that debuted March 6, 1964— one of the last productions at the Old Metropolitan Opera House. Karinska had signed a contract with the Ford Foundation to operate the New York City Ballet's new costume shop.
Pages in category "New York City Ballet principal dancers" The following 104 pages are in this category, out of 104 total. This list may not reflect recent changes .
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He was the founder and artistic director of the original Los Angeles Ballet [1] (1974–85) and the chamber-sized touring ensemble, Ballet of Los Angeles (1988–91). Before that time, Clifford was a principal dancer and a choreographer (8 ballets before age 26) with George Balanchine ’s New York City Ballet (1966–74).