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Unlike a spirit duplicator master, a hectograph master is not a mirror image. Thus, when using a spirit duplicator master with a hectograph, one writes on the back of the purple sheet, using it like carbon paper to produce an image on the white sheet, rather than writing on the front of the white sheet to produce a mirror image on its back.
There have been some experimental uses of carbon paper in art: as a surface for painting and mail art (to decorate envelopes). Carbon paper is commonly used to transfer patterns onto glass in the creation of stained glass. [7] Carbon paper disks are still used in school physics labs as part of experiments on projectile motion and position. [8]
Carbon paper; Blueprint typewriter ribbon; Carbonless copy paper; Photographic processes: Reflex copying process (also reflectography, reflexion copying) Breyertype, Playertype, Manul Process, Typon Process, Dexigraph, Linagraph; Daguerreotype; Salt print; Calotype (the first photo process to use a negative, from which multiple prints could be ...
The image transfer medium was originally a stencil made from waxed mulberry paper. Later this became an immersion-coated long-fiber paper, with the coating being a plasticized nitrocellulose. This flexible waxed or coated sheet is backed by a sheet of stiff card stock, with the two sheets bound at the top.
A sheet of carbon paper is placed between two or more sheets of paper. The pressure applied by the writing implement (pen, pencil, typewriter or impact printer) to the top sheet causes pigment from the carbon paper to reproduce the similar mark on the copy sheet(s). More than one copy can be made by stacking several sheets with carbon paper ...
The paper is fed to the drum, and the ink only comes through the master material where there are holes. A pressure roller presses the paper to the drum and transfers the ink to the paper to form the image. The paper then exits the machine into an exit tray. The ink is still wet.