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Sean Carl Roland Pertwee (born 4 June 1964) is an English actor, narrator and producer. His credits include Chancer ... and his German second wife, Ingeborg Rhoesa.
He had one son, Craig Peter Hamilton-Smith (born 13 October 1968, who succeeded to the title), and one daughter, Jacqueline Jane Hamilton-Smith (married to actor Sean Pertwee), by his first wife. He had two daughters, Kirsten Antonia Hamilton-Smith and Tanya Nicole Hamilton-Smith, by his second wife. [3]
Sean Pertwee (born 1964), actor; son of actor Jon Pertwee (1919–1996), and his German wife, Ingeborg (née Rhoesa) Mark Sheppard (born 1964), actor and musician, born in London of an Irish and German background; Dinah Sheridan (1920–2012), actress of Russian-Jewish and German descent
Vic (Sean Pertwee), [14] Phoebe’s bodyguard. Roald Walker-Burton (Ben Wiggins), [14] a wealthy and pompous photographer who is obsessed with Kate. Dawn Brown (Alison Pargeter), [14] a tabloid photographer who has a parasocial obsession with Lady Phoebe.
John Devon Roland Pertwee (/ ˈ p ɜːr t w iː /; [1] 7 July 1919 – 20 May 1996), known professionally as Jon Pertwee, was an English actor.Born into a theatrical family, he became known as a comedy actor, playing Chief Petty Officer Pertwee (and three other roles) in the BBC Radio sitcom The Navy Lark (1959–1977) and appearing in four films in the Carry On series (1964–1992).
Victoria Smurfit reprised her role as Jane Fitzpatrick for two episodes, [4] while Sean Pertwee joined the series in the recurring role of Mark Cubbit for the last four episodes. Baxendale did not appear in the sixth episode, filmed in July and August; she took time off filming during the late stage of her pregnancy.
Rachel Campos-Duffy, wife of President-elect Donald Trump’s nominee for transportation secretary, slammed government officials Monday for providing zero answers about the swarms of drones ...
Writing in The Guardian Mark Kermode praised the film, acknowledging that "John Langridge's tortuously twisted warehouse-bound tale of a cuckolded husband seeking vengeance on his wife's lover does at least attempt to get the very most out of very little", [4] while The Independent wrote that the script "meditates on male insecurity and ...