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Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Erased de Kooning Drawing (1953) is an early work of American artist Robert Rauschenberg.This conceptual work presents an almost blank piece of paper in a gilded frame. It was created in 1953 when Rauschenberg erased a drawing he obtained from the abstract expressionist and American artist Willem de Kooning.
Between 1984 and 1991, Robert Rauschenberg undertook an expansive cultural exchange programme to encourage understanding between different cultures through art. The Rauschenberg Overseas Culture ...
Monogram is a Combine by American artist Robert Rauschenberg, made between 1955 and 1959. [1] It consists of a stuffed Angora goat with its midsection passing through an automobile tire. [2] Critic Jorg von Uthmann described it as Rauschenberg's most famous work in the Huffington Post. [3]
Canyon is a 1959 artwork by American artist Robert Rauschenberg. [1] [2] The piece is one of his most celebrated and best known works, [3] and is one of his Combines. Rauschenberg coined the phrase Combine in 1954 to describe his artworks that incorporate elements of both sculpture and painting.
Pages in category "Works by Robert Rauschenberg" The following 6 pages are in this category, out of 6 total. ... Erased de Kooning Drawing; M. Monogram (artwork)
The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase Combine [4] to describe his own artworks that explore the boundary between art and the everyday world. By placing them in the context of art, he endowed a new significance to ordinary objects.
Reservoir is a 1961 painting by American artist Robert Rauschenberg. [1] The work is one of his Combines, which incorporate both two- and three-dimensional found, non-art materials, using objects Rauschenberg collected from the streets of his lower Manhattan neighborhood. [2]