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Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Examples of Rauschenberg's Combine paintings include Bed (1955), Canyon (1959), and the free-standing Monogram (1955–1959). [2] Critic John Perreault wrote "The Combines are both painting and sculpture–or, some purists would say, neither."
In the first iteration (1955–1956), the goat was poised on a shelf that was connected to a wall-mounted painting that later became Rhyme (1956). According to Calvin Tomkins, this version was eventually altered because Rauschenberg was dissatisfied that the goat could only be viewed from one side. [5] Robert Rauschenberg by the first form of ...
Between 1984 and 1991, Robert Rauschenberg undertook an expansive cultural exchange programme to encourage understanding between different cultures through art. The Rauschenberg Overseas Culture ...
Robert Rauschenberg labeled as "combines" such works as "Bed" (1955), which consisted of a framed quilt and pillow covered in paint and mounted on the wall. Arman labeled as "accumulations" his collections of dice and bottle tops, and as "poubelles" the contents of trash-bins encased in plastic.
Bed, a 1955 painting by Robert Rauschenberg; Le Lit ('The Bed'), a c.1892 painting by Henri de Toulouse-Lautrec; The Bed, a 2008 installation by Will Ryman; Places.
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