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"A Wound Time Can't Erase" is a song written by B. Johnson, performed by Stonewall Jackson, and released on the Columbia label (catalog no. 4–42229). It debuted on the Billboard country and western chart in January 1962, peaked at the No. 3 spot, and remained on the chart for a total of 22 weeks. [ 1 ]
Rodgers, Richard and Hart, Lorenz, "My Heart Stood Still" (1927). Vocal Popular Sheet Music Collection. Score 6260. https://digitalcommons.library.umaine.edu/mmb-vp ...
Chronic wound healing may be compromised by coexisting underlying conditions, such as venous valve backflow, peripheral vascular disease, uncontrolled edema and diabetes mellitus. If wound pain is not assessed and documented it may be ignored and/or not addressed properly. It is important to remember that increased wound pain may be an ...
Timing is important to wound healing. Critically, the timing of wound re-epithelialization can decide the outcome of the healing. [11] If the epithelization of tissue over a denuded area is slow, a scar will form over many weeks, or months; [12] [13] If the epithelization of a wounded area is fast, the healing will result in regeneration.
The Sylvie and Babs Hi-Fi Companion is an album by Nurse With Wound. In his book "England's Hidden Reverse", David Keenan describes the album as "some light relief in the early Nurse catalogue". Steven Stapleton told Keenan "I wanted to make a record that was stolen from other people's records". [ 2 ]
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Chronic wound pain is a condition described as unremitting, disabling, and recalcitrant pain experienced by individuals with various types of chronic wounds. [1] Chronic wounds such as venous leg ulcers, arterial ulcers, diabetic foot ulcers, pressure ulcers, and malignant wounds can have an enormous impact on an individual’s quality of life with pain being one of the most distressing symptoms.
Broken Halos" is a mid-tempo country rock number in which Stapleton "meditates on the wounds people suffer and the road toward healing that they travel," as noted by a Los Angeles Times ' reviewer. [7] An NPR editor described it as Southern gospel, [8] and a Rolling Stone reviewer, as folk rock. [9]